Such drama before Madonna could even take to the stage for her first theatre tour since 1985! Would she arrive drastically late? Would she cancel at the last minute? Tenterhooks all round.
Monday was supposed to be the first of a planned 15 nights at the Palladium, cancelled on doctor’s orders. It was the 10th dropped concert of the Madame X Tour, which began in New York in September and gathered complaints for its late start times.
But tonight at 8.45pm, there she was, dressed as a bloodstained, eyepatch-wearing revolutionary soldier. She was also a spy, a protest marcher and a Portuguese fado singer in the course of a tireless, imaginative show that was far from shrunken arena pop. Thanks especially to an extraordinary troupe of dancers, it was a spectacle that felt more powerful up close.
Like Bruce Springsteen, who showed a different side of himself in his recent Broadway run, and Kate Bush, whose live comeback was more theatre than concert, the 61-year-old has unearthed something new late in her career. The Madame X album may have plummeted out of the charts in an instant, but here its songs dominated and found their purpose.
Batuka, tuneless on record, was euphoric when performed with a mass of smiling, rump-shaking Batuque drummers from Cape Verde. I Rise was far more powerful when backed by footage of anti-gun protests and gay pride marches.
There were awkward moments. Her knee problems slowed her movement, her three youngest children didn’t need to be wheeled on to shout slogans, and a male fan walked onto the stage to her obvious fury. But towards the end, the Bollywood clatter of Come Alive and gospel uplift of Like a Prayer were pure joy. If she can manage this 13 more times, a lot of Londoners will be very happy.
Until February 16, lwtheatres.co.uk